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Born Free (dir. James Hill, 1966) was the first adaptation I ever saw. It was 1966 or 67 and I was eightish, just back from Tanzania. My Nana took me to see it and I got very involved at the end.  The images of the lioness battling it out for her wild identity were captivating. The film embodied both my memories and my idyllic view of the continent I had just left. However, I also remember the vague sense of disappointment I had when, a few years later, I first read the books Joy Adamson had written (Born Free, Living Free, Forever Free.  Elsa herself, of course, was not a disappointment, spread out on the camp bed with her paws in the air, but Joy was not the sylph like blonde that Virginia McKenna had represented. She was a buxom, curly headed woman, older looking than her Hollywood counterpart. Even now, I feel slightly offended when pictures of her as the real Joy are presented. I still want her to be Virginia McKenna. Bill Travers bore more of a resemblance to George, only bigger, and at least they filmed on location, that I could tell, having been there, so recently. Even at that age I lost patience with the Mojave Desert or the Hollywood lot pretending to be African. The books were a little turgid for a pre-teen, but I persevered and Joy Adamson had written an account that largely reflected the content of the film and the movie captured, if not the spirit of the age, then the spirit of the audience. (Continued in Splice)


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SpliceNew article in Splice (Auteur Publishing) Remaking the Dream, Psycho, Psycho, Rear Window, Disturbia?, Cape Fear, Cape Fear.

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This article will look at remakes, specifically remakes in the crime genre, after all it is no secret that the audience has an overwhelming appetite for crime, so why not sell the same story twice, or thrice? What is any crime story, but a remake? A murder, a heist, a mystery, whether it’s Marlow or Morse, Columbo or Porfiry1, real life or even Rick Deckard (Blade Runner, dir. Ridley Scott, 1982) whether it is the detective or the PI, comedy or Se7en (dir. David Fincher, 1995) the elements are the same, murder, mystery and suspense.

1 Porfiry was the detective in Dostoyevsky’s Crime and Punishment, now acknowledged by Peter Falk as the inspiration for the character of Columbo.

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